Olivares, Caspar De Guzman
OLIVARES, CASPAR DE GUZMAN, count of Olivares and duke of San Lucar (1587-1645), Spanish royal favourite and minister, was born in Rome, where his father was Spanish ambassador, on the 6th of January 1587. His compound title is e.xplained by the fact that he inherited the title of count of Olivares, but was created duke of San Lucar by the favour of Philip IV'. He begged the king to allow him to preserve his inherited title in combination with the new honour - according to a practice of which there are a few other examples in Spanish history. Therefore he was commonly spoken of as el condeduque. During the life of PhUip III. he was appointed to a post in the household of the heir apparent, Phihp, by the interest of his maternal uncle Don Baltasar de Zuniga, who was the head of the prince's establishment. Olivares made it his business to acquire the most complete influence over the yotuig prince. When Philip IV. ascended the throne in 1621, at the age of sixteen, he showed his confidence in Olivares by ordering that all papers requiring the royal signature should first be sent to the count-duke. Ohvares could now boast to his uncle Don Baltasar de Zuniga that he was " all." He became what is known in Spain as a valido - something more than a prime minister, the favourite and alter ego of the king. For twenty-two years he directed the pohcy of Spain. It was a period of constant war, and finaUy of disaster abroad and of rebeUion at home. The Spaniards, who were too thoroughly monarchical to blame the king, held his favourite responsible for the misfortunes of the country. The count-duke became, and for long remained, in the opinion of his countrymen, the accepted model of a grasping and incapable favourite. Of late, largely under the inspiration of Don Antonio Canovas, there has been a certain reaction in his favour. It would certainly be most unjust to blame Olivares alone for the decadence of Spain, which was due to internal causes of long standing. The gross errors of his pohcy - the renewal of the war with Holland in 1621, the persistence of Spain in taking part in the Thirty Years' War, the lesser wars undertaken in northern Italy, and the entire neglect of all efTort to promote the unification of the different states forming the peninsular kingdom - were shared by him with the king, the Church and the commercial classes. When he had fallen from power he wrote an apology, in which he maintained that he had always wished to see more attention paid to internal government, and above all to the complete unification of Portugal with Spain. But if this was not an afterthought, he must, on his own showing, stand accused of having carried out during long years a policy which he knew to be disastrous to his country, rather than risk the loss of the king's favour and of his place. Olivares did not share the king's taste for art and literature, but he formed a vast collection of state papers, ancient and contemporary, which he endeavoured to protect from destruction by entaUing them as an heirloom. He also formed a splendid aviary which, under the name of the " hencoop," was a favourite subject of ridicule with his enemies. Towards the end of his period of favour he caused great offence by legitimizing a supposed bastard son of very doubtful paternity and worthless personal character, and by arranging a rich marriage for him. The faU of Olivares was immediately due to the revolts of Portugal and Catalonia in 1640. The king parted with him reluctantly, and only under the pressure of a strong court intrigue headed by Queen Isabella. It was noted with anxiety by his enemies that he was succeeded in the king's confidence by his nephew the count of Haro. There remains, however, a letter from the king, in which Philip tells his old favourite, with frivolous ferocity, that it might be necessary to sacrifice his life in order to avert unpopularity from the royal house. Olivares was driven from office in 1643. He retired by the king's order to Toro. Here he endeavoured to satisfy his passion for activity, partly by sharing in the municipal government of the town and the regulation of its commons, woods and pastures, and partly by the composition of the apology he published under the title of El Nicandro, which was perhaps written by an agent, but was undeniably inspired by the fallen minister. The Nicandro was denounced to the Inquisition, and it is not impossible that Olivares might have ended in the prisons of the Holy Office, or on the scaffold, if he had not died on the 22nd of July 1645.
See the Esiudios del reinado de Felipe I V. of Don Antonio Canovas (Madrid, 1889); and Don F. Silvela's introduction, much less favourable to Olivares, to his edition of the Cartas de Sor Maria de Agreda y del rey Felipe IV. (Madrid, 1885-1886).
Note - this article incorporates content from Encyclopaedia Britannica, Eleventh Edition, (1910-1911)
